150 Best Eco House Ideas by Marta Serrats

By Marta Serrats

A hundred and fifty top ECO residence IDEAS

The latest quantity within the hugely winning “150 Best” series—joining 150 most sensible residence principles and a hundred and fifty most sensible condo Ideas150 most sensible Eco residence Ideas is a entire instruction manual showcasing the most recent in sustainable structure and environmentally-friendly domestic layout. ideal for architects, designers, interiors decorators, and householders alike.<o:p></o:p></span>

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A conscious (or obvious) use of unity with variety does not necessarily lessen our pleasure as viewers. An obvious use of the principle is not a drawback. Unity is immediately apparent in the set of functional ceramicware in C. Eva Zeisel’s vessels seem to have evolved their forms as naturally as unfurling leaves or swelling seed pods. A similar small element at the top of each piece works to close a handle in one case and provide a spout in another. A Charley Harper. Original painting for Titmouse Tidbit (Tufted Titmouse).

May not be copied, scanned, or duplicated, in whole or in part. Due to electronic rights, some third party content may be suppressed from the eBook and/or eChapter(s). Editorial review has deemed that any suppressed content does not materially affect the overall learning experience. Cengage Learning reserves the right to remove additional content at any time if subsequent rights restrictions require it. indd 15 10/5/10 4:01 PM LOOKING SOURCES: ARTIFACTS We expect artists and designers to be visually sensitive people who see things in the world that others might overlook and who look with special interest at the history of art and design.

Sarah Weinstock’s drawing shown in B is the result both of the forces at play with ink spread on soap bubbles and of the artist’s coaxing and encouragement of those materials on the paper. The result suggests two organic forms with one reaching out toward the other. In the Studio M O D U L E J A Eva Hesse. Studio. 1966. Installation photograph by Gretchen Lambert. Courtesy Robert Miller Gallery. J B Sarah Weinstock. Untitled Drawing. 2006. Ink and soap bubbles on paper, 61⁄2" × 91⁄2" (detail). *Lucy R.

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